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2007年08月19日 蘋果日報

冰河前寬衣 籲關注暖化 

美國知名裸體攝影師杜尼克(Spencer Tunick)昨天又有驚人新創舉。在他號召下,來自全球近600名裸體愛好者自費搭車前往瑞士南部阿爾卑斯山山區。杜尼克將所有人分成兩組拍攝,所有人不畏10℃低溫寬衣解帶,站在阿列奇冰河前留下壯觀的裸體群像。此次杜尼克與「綠色和平」環保組織合作,地點選在受聯合國保護的阿列奇冰河,該冰河近年因全球暖化迅速融化,每年至少融化100公尺。杜尼克希望透過此舉,呼籲大眾關注全球暖化問題。 

Yahoo News - 2007 Aug 18 

Hundreds get naked on glacier to expose climate change
 

by Peter Capella Sat Aug 18, 5:46 PM ET

GENEVA (AFP) - Nearly 600 volunteers stripped before the camera on a melting Swiss glacier high in the Alps on Saturday as part of a publicity campaign to expose the impact of climate change.


The eco-conscious volunteers turned up under blue skies near the foot of the Aletsch glacier, a protected UNESCO World Heritage site.

Environmental group Greenpeace commissioned the photo shoot from world renowned photographer Spencer Tunick.

"Their numbers are close to 600," Nicolas de Roten of Greenpeace Switzerland told AFP. "It's relatively chilly but that doesn't seem to be disturbing them."

The campaign is aimed at drawing attention to melting Alpine glaciers, one clear sign of global warming and of man-made climate change, according to the group.

Greenpeace says the human body is as fragile as glaciers like the Aletsch in southern Switzerland and the world's environment. The glacier itself is now shrinking by about 100 metres (110 yards) a year.

"I want my images to go more than skin-deep. I want the viewers to feel the vulnerability of their existence and how it relates closely to the sensitivity of the world's glaciers," Tunick said.

The group hopes its billboard and poster campaign showing people exposed to the cold will send a shiver down the spines of public opinion and politicians, and convince them to do more to tackle pollution and climate change.

"They'll be used at the right moment for our campaign, in Switzerland first and then worldwide," de Roten said from the location, about an hour's hike from the village of Bettmeralp.

Tunick split the men and women into two groups of about 300 for separate shots on or around the lower end of the spectacular 23 kilometre long (14 miles) sweeping ice floe, at an altitude of about 2,300 metres (7545 feet).

Dressed in hiking gear, they stripped for minutes at a time, watched at a distance by a clump of media photographers and journalists.

While cooler than the valley below, temperatures were well above freezing -- about 10 to 15 degrees Celsius (50 to 60 Fahrenheit).

The US-born photographer is famous for his spectacular art photos of large groups of naked people carefully positioned around landmarks.

Tunick calls them "living sculptures" or "body landscapes" and he nowadays works mainly to order for contemporary art galleries.

About 18,000 nudes posed for the US-born photographer in Mexico City's Zocalo Square in May.

Other backdrops have included the Gateshead Centre for Contemporary Art in England (2005), the Biennale in Lyon, France (2005), and Grand Central Station in New York (2003).

Volunteers for the Swiss photoshoot were asked to turn up by train and cable car, to avoid generating carbon dioxide emissions that contribute to global warming.

Bettmeralp's mayor, Heidi Kreuzer, was unimpressed by the fuss.

"There's no need to get undressed, I can show you very nice pictures of the glacier," she told the Swiss newspaper Le Matin.

Environmental issues have considerable resonance in mountainous Switzerland, which has been hit by a growing number of damaging flash floods and landslides in recent years due to stronger storms and rainfall, as well as heatwaves.

A Swiss government report this week underlined that temperatures were rising faster than the global average, and measures needed to tackle the impact of global warming would cost the country about one billion Swiss francs (833 million dollars, 617 million euros) a year.

The country's 1,800 glaciers are regarded as a visible barometer of global warming.

Their data also shows that all Switzerland's main glaciers are retreating and the melting has accelerated since the mid-1990s, according to scientists at Zurich's Federal Polytechnic (ETHZ).

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